If I'd Known Then: Women in Their 20s and 30s Write Letters to Their Younger Selves (What I Know Now)
- Used Book in Good Condition
Ten Stupid Things Women Do to Mess Up Their Lives
Dr. Laura Schlessinger is the incredibly popular and controversial psychotherapist who hosts a nationally syndicated, top-rated midday radio talk show. She has strong convictions and doesn't hesitate to voice them to callers. She urges women emphatically to lose a domineering jerk of a lover and pick one of the "good guys," to stay home and parent the babies they've made, and to follow the dream rather than some dreamboat. Above all, she exhorts women not to blame anybody or anything but themselves if they're unhappy and their lives seem a mess.
10 Stupid Things Women Do to Mess Up Their Lives uses real-world examples from Schlessinger's radio show and private practice to drive the message home. And the message is that our reticence to be bold and brave often makes us act like stupid, submissive victims. Once we muster the courage to take responsibility for our own problems and to tolerate the discomforts of risk, the possibilities for personal growth and joy are limitless.
If you're looking for an all-approving hand to hold, you won't find it here. If you're prepared to take a clear-eyed look at your self-diminishing behavior and to make the move to a quality existence, there's no one better than Schlessinger to keep you honest and to cheer you on. One thing's for sure: You'll never look at your relationships, behaviors and decisions the same way after you've finished reading this book.
- 10 Stupid Things Women Do to Mess Up Their Lives
The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer Deckle Edge
Library Journal Top 10 Book of 2012
Christian Science Monitor Top Nonfiction of 2012
Huffington Post Best Art Books of 2012
Top 12 Nonfiction 2012 of Examiner.com
The spellbinding story, part fairy tale, part suspense, of Gustav Klimt's Portrait of Adele Bloch-Bauer, one of the most emblematic portraits of its time; of the beautiful, seductive Viennese Jewish salon hostess who sat for it; the notorious artist who painted it; the now vanished turn-of-the-century Vienna that shaped it; and the strange twisted fate that befell it.
The Lady in Gold, considered an unforgettable masterpiece, one of the twentieth century's most recognizable paintings, made headlines all over the world when Ronald Lauder bought it for 135 million a century after Klimt, the most famous Austrian painter of his time, completed the society portrait.
Anne-Marie O'Connor, writer for The Washington Post, formerly of the Los Angeles Times, tells the galvanizing story of the Lady in Gold, Adele Bloch-Bauer, a dazzling Viennese Jewish society figure; daughter of the head of one of the largest banks in the Hapsburg Empire, head of the Oriental Railway, whose Orient Express went from Berlin to Constantinople; wife of Ferdinand Bauer, sugar-beet baron.
The Bloch-Bauers were art patrons, and Adele herself was considered a rebel of fin de siècle Vienna (she wanted to be educated, a notion considered "degenerate" in a society that believed women being out in the world went against their feminine "nature"). The author describes how Adele inspired the portrait and how Klimt made more than a hundred sketches of her--simple pencil drawings on thin manila paper.
And O'Connor writes of Klimt himself, son of a failed gold engraver, shunned by arts bureaucrats, called an artistic heretic in his time, a genius in ours.
She writes of the Nazis confiscating the portrait of Adele from the Bloch-Bauers' grand palais; of the Austrian government putting the painting on display, stripping Adele's Jewish surname from it so that no clues to her identity (nor any hint of her Jewish origins) would be revealed. Nazi officials called the painting, The Lady in Gold and proudly exhibited it in Vienna's Baroque Belvedere Palace, consecrated in the 1930s as a Nazi institution.
The author writes of the painting, inspired by the Byzantine mosaics Klimt had studied in Italy, with their exotic symbols and swirls, the subject an idol in a golden shrine.
We see how, sixty years after it was stolen by the Nazis, the Portrait of Adele Bloch-Bauer became the subject of a decade-long litigation between the Austrian government and the Bloch-Bauer heirs, how and why the U.S. Supreme Court became involved in the case, and how the Court's decision had profound ramifications in the art world.
A riveting social history; an illuminating and haunting look at turn-of-the-century Vienna; a brilliant portrait of the evolution of a painter; a masterfully told tale of suspense. And at the heart of it, the Lady in Gold--the shimmering painting, and its equally irresistible subject, the fate of each forever intertwined.
- Knopf Publishing Group
The Great Gatsby
A true classic of twentieth-century literature, this edition has been updated by Fitzgerald scholar James L.W. West III to include the authors final revisions and features a note on the composition and text, a personal foreword by Fitzgeralds granddaughter, Eleanor Lanahanand a new introduction by two-time National Book Award winner Jesmyn Ward.
The Great Gatsby, F. Scott Fitzgeralds third book, stands as the supreme achievement of his career. First published in 1925, this quintessential novel of the Jazz Age has been acclaimed by generations of readers. The story of the mysteriously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted gin was the national drink and sex the national obsession, it is an exquisitely crafted tale of America in the 1920s.
- Great product!
The Girls in the Picture: A Novel
From the New York Times bestselling author of The Swans of Fifth Avenue and The Aviators Wife, a rich exploration of two Hollywood friends who shaped the movies (USA Today)screenwriter Frances Marion and superstar Mary Pickford
Full of Old Hollywood glamour and true details about the pairs historic careers . . . a captivating ode to a legendary bond.Real Simple
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY REAL SIMPLE
It is 1914, and twenty-five-year-old Frances Marion has left her (second) husband and her Northern California home for the lure of Los Angeles, where she is determined to live independently as an artist. But the word on everyones lips these days is flickersthe silent moving pictures enthralling theatergoers. Turn any corner in this burgeoning town and youll find made-up actors running around, as a movie camera captures it all.
In this fledgling industry, Frances finds her true calling: writing stories for this wondrous new medium. She also makes the acquaintance of actress Mary Pickford, whose signature golden curls and lively spirit have earned her the title Americas Sweetheart. The two ambitious young women hit it off instantly, their kinship fomented by their mutual fever to create, to move audiences to a frenzy, to start a revolution.
But their ambitions are challenged by both the men around them and the limitations imposed on their genderand their astronomical success could come at a price. As Mary, the worlds highest paid and most beloved actress, struggles to live her life under the spotlight, she also wonders if it is possible to find love, even with the dashing actor Douglas Fairbanks. Frances, too, longs to share her life with someone. As in any good Hollywood story, dramas will play out, personalities will clash, and even the deepest friendships might be shattered.
With cameos from such notables as Charlie Chaplin, Louis B. Mayer, Rudolph Valentino, and Lillian Gish, The Girls in the Picture is, at its heart, a story of friendship and forgiveness. Melanie Benjamin brilliantly captures the dawn of a glittering new eraits myths and icons, its possibilities and potential, and its seduction and heartbreak.
A boffo production . . . Inspiration is a rare and unexpected gift in a book filled with the fluff of Hollywood, but Benjamin provides it with The Girls in the Picture.NPR
Profoundly resonant, The Girls in the Picture is at its core, an empowering and fascinating tale of sisterhood.Bryce Dallas Howard
Prove It On Me: New Negroes, Sex, and Popular Culture in the 1920s
In the wake of the Great Migration of thousands of African Americans from the scattered hamlets and farms of the rural South to the nation's burgeoning cities, a New Negro ethos of modernist cultural expression and potent self-determination arose to challenge white supremacy and create opportunities for racial advancement.
In Prove It On Me, Erin D. Chapman explores the gender and sexual politics of this modern racial ethos and reveals the constraining and exploitative underside of the New Negro era's vaunted liberation and opportunities. Chapman's cultural history documents the effects on black women of the intersection of primitivism, New Negro patriarchal aspirations, and the early twentieth-century consumer culture. As U.S. society invested in the New Negroes, turning their expressions and race politics into entertaining commodities in a sexualized, primitivist popular culture, the New Negroes invested in the idea of black womanhood as a pillar of stability against the unsettling forces of myriad social and racial transformations. And both groups used black women's bodies and identities to "prove" their own modern notions and new identities. Chapman's analysis brings together advertisements selling the blueswoman to black and white consumers in a "sex-race marketplace," the didactic preachments of New Negro reformers advocating a conservative gender politics of "race motherhood," and the words of the New Negro women authors and migrants who boldly or implicitly challenged these dehumanizing discourses. Prove It On Me investigates the uses made of black women's bodies in 1920s popular culture and racial politics and black women's opportunities to assert their own modern, racial identities.
Women in Love (Everyman's Library Contemporary Classics Series)
Women in Love, the novel that D. H. Lawrence considered his best, is a powerful portrayal of two couples dynamically engaged in a struggle with themselves, with each other, and with lifes intractable limitations.
The sisters Ursula and Gudrun Brangwen, whom we first met in Lawrences novel The Rainbow, here become involved with two close friends: Rupert, an intellectual school inspector; and Gerald, the wealthy heir to a mine owner. The turbulent relationships that resultchronicled with an emotional and sexual frankness that provoked controversy on the books publication in 1920take the characters from an English landscape of coal mines and sooty factories to the snowy heights of the Alps, where tragedy strikes.
Women in Love was written during World War I, and while that conflict is never mentioned in the novel, a sense of background danger, of lurking catastrophe, continually informs its drama. Lawrence was a powerful, prophetic writer, but in addition he brought such delicacy to his treatment of the human and natural worlds that E. M. Forsters claim that he was the greatest imaginative novelist of his generation does him too little justice rather than too much.
Murder in the Shallows: A Violet Carlyle Historical Mystery (The Violet Carlyle Mysteries Book 6)
Violet and Jack go for a simple day on the water. They little expect their day of sun and fun to end with finding a body in the water.
The mystery of what happened to the young man in the shallows posses them both, and they unite in their desire to find out more. Will they be able to discover why Jack's one-time friend was killed? Who would have done this and why?
Book SIX in The Violet Carlyle Mysteries. Are you ready for the roaring twenties? For a spunky young woman determined to craft her own life? If so, youll love Vi, her indulgent twin Vic, and their friends. You might even find your imagination caught by her love, Jack Wakefield. For fans of Carola Dunn, Jacqueline Winspear, Georgette Heyer, and Lee Strauss.
A light, cozy mystery with a fun peek into life in the life of a bright young thing. No swearing, graphic scenes, or cliffhangers.
The Violet Carlyle Mysteries
1- Murder & The Heir
2- Kennington House Murder
3- Murder at the Folly
4- A Merry Little Murder*
5- Murder Among the Roses
6- Murder in the Shallows
7- Gin & Murder
8- Obsidian Murder
9- Murder at the Ladies Club
10- Wedding Vows & Murder
11- A Jazzy Little Murder
12- Murder by Chocolate
*There are two short stories that fall between A Merry Little Murder and Murder Among the Roses. They are: New Years Madness and Valentines Madness.
Not Yet Married: The Pursuit of Joy in Singleness and Dating
Life Is Never Mainly about Love and Marriage. So Learn to Live and Date for More.
Many of you grew up assuming that marriage would meet all of your needs and unlock Gods purposes for you. But God has far more planned for you than your future marriage. Not Yet Married is not about waiting quietly in the corner of the world for God to bring you the one, but about inspiring you to live and date for more now.
If you follow Jesus, the search for a spouse is no longer a pursuit of the perfect person, but a pursuit of more of God. He will likely write a love story for you different than the one you would write for yourself, but thats because he loves you and knows how to write a better story. This book was written to help you find real hope, happiness, and purpose in your not-yet-married life.
Southern Discomfort: Women's Activism in Tampa, Florida, 1880s-1920s (Women in American History)
Vitally linked to the Caribbean and southern Europe as well as to the Confederacy, the Cigar City of Tampa, Florida, never fit comfortably into the biracial mold of the New South. In Southern Discomfort, the esteemed historian Nancy A. Hewitt explores the interactions among distinct groups of women--native-born white, African American, and Cuban and Italian immigrant women--that shaped women's activism in this vibrant, multiethnic city.
Around the turn of the twentieth century, several historical currents converged in Tampa. The city was subject to the state's newly imposed forms of legal segregation from 1885 on, and it served as a center for exiles organizing on behalf of the Cuban War of Independence and as the disembarkation point for U.S. troops heading to Cuba in 1898. The city was the entrepôt for thousands of Cuban and Italian immigrants seeking work in the booming cigar trade, and it attracted dozens of itinerant radicals eager to address locally based revolutionary clubs, mutual aid societies, and labor unions.
Tampa was also home to an astonishing array of voluntary and reform organizations among Black and white native-born women. Hewitt shows how women's interests were transformed by Jim Crow, progressive reform, and homegrown and imported radicalism, and how the Cuban struggle for independence from Spain dramatically reshaped Tampa women's activism, inspiring large numbers of Latin women to enter the public sphere.
Southern Discomfort emphasizes the process by which women forged and reformulated their activist identities from Reconstruction through the U.S. declaration of war against Spain in April 1898, the industrywide cigar strike of 1901, and the emergence of progressive reform and labor militancy. This masterful volume also recasts our understanding of southern history by demonstrating how Tampa's triracial networks alternately challenged and reinscribed the South's biracial social and political order.
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